hybridchic:

INTERVIEW: THE STUDIO MUSEUM HARLEM

The artistic cultural production and cultural theory that is Afrofuturism has long used the fantastical and Science Fiction elements of robotics and aliens, to solve the inequality of colonialism by transcending the social limitations of Black Diasporic life in Western society. Although appearing cosmically perfect,  it cannot be denied that Afrofuturism’s history is far from utopic: the trauma of the African transatlantic slave trade, W.E.B Du Bois’ emphatic theory of double-consciousness, Zora Neale Hurston’s iconic folklore depicting humor amidst trauma, Sun Ra’s militant blaxploitation music and imagery, Octavia Butler’s equivocal writings on outsider aesthetics, and lets not forget thesouthernplayalisticcadillacfunkymusic of OutKast. Resilient, AfroFuturists have owned, analyzed, deconstructed, and re-coded their joy and pain, and those of their ancestors, to re-imagine the African Diasporian future—free  from Western social stigmas.

For decades, Afrofuturism was publicly linked to literature and music; and yet recently, a courtship has begun with fine art. On November 14th The Studio Museum in Harlem took the helm and debuted its Afrofuturist exhibition, “The Shadows Took Shape.” We at Saint Heron are no strangers to Afrofuturism as emerging and Saint Heron featured artists, Kelela, BCKingdom, Sampha, have strains of Afrofuturist aesthetics coded within their work, so it was a pleasure to speak with the curators, Naima J. Smith and Zoe Whitley, on Afrofuturist activism, the theme of flight throughout African American history, and accidental Afrofuturists. Set amidst the backdrop of a sensitive and rich history, like a griot “The Shadows Took Shape exhibition and the Saint Heron interview navigates through rough terrain to tell an ever-evolving  story of a new Black frontier.

READ THE FULL INTERVIEW AT SAINTHERON.COM

Photo: Robert Pruitt, “Untitled 3″

wetheurban:

DESIGN: Submerged Turntable by Evan Holm

Artist Evan Holm is convinced that ‘there will be a time when all tracings of human culture will dissolve back into the soil under the slow crush of the unfolding universe’. 

To demonstrate these rather dark thoughts, he created a submerged record player that’s still producing a nearly perfect audio as demonstrated in the short video below.

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CEO tells Daily Show ‘mentally r*’ could work for $2: ‘You’re worth what you’re worth’

goldenheartedrose:

disabilityhistory:

I saw this on the daily show, and when he was asked who deserved only $2/hour, I knew exactly what he would say next.

Schiff argued that eliminating the minimum wage law would allow more people entry to the workforce, and Bee asked him to identify someone whose work might be worth just $2 an hour.

“You know someone that might be? Maybe someone who is – what’s the politically correct word, you know, for mentally retarded,” Schiff said. “I believe in the principles this country was founded on.”

“I’m not going to say that we’re all created equal,” he said. “You’re worth what you’re worth.”

But the real outrage should be that many disabled workers are already paid a “subminimum wage” that can be as low as TWENTY TWO CENTS PER HOUR (related: don’t support Goodwill). 

I fully support all efforts to raise the minimum wage. But that must include disabled workers who make tiny fractions of the minimum wage. More on that here.

Why am I not surprised?

Fuck abled folks who say shit like this thinking that it doesn’t actually happen.

feministdisney:

not sure if you’ve seen this before, first I came across it. Found this in a post titled “The Working Poor at Walt Disney World” via Sociological Images.

In the 22-minute short film below, titled MouseTrapped 2010, employees of Florida’s Walt Disney World plead with Disney to negotiate a fair contract with their Union. The film is interesting on two accounts. First, is a good example of the low wages in many service industries. Sociologists refer to the “working poor” to describe people who work full-time and yet still cannot make ends meet. Some of the employees in this video take second jobs, live with their parents or siblings, routinely take food from church food banks, or receive food stamps.”

(there is a part 2 you can view by clicking the above Soc. article link)

This video came out almost four years ago. I wonder if things have changed, but I sort of doubt they have much, considering that Disney just this past year tried to work their “magic” on the Florida Senate in getting the state to vote against paid sick days for employees (in the ENTIRE state. Because Disney wanted that badly, not to pay). It’s also worth noting that Disney paid almost $500,000 in back wages in 2010 for violating the Fair Labor Standards Act (not, though, for issues relating to the above video).

“There’s times I have to make my month’s insulin last two to three months because I can’t afford to go out and buy it. It’s a choice. Get your medicine, or have food on the table. Naturally, I have a family, food comes first. my wife is making her medication last for months. We just can’t afford to keep going like this.” -speaker in video

As another speaker points out, many employees qualify for government assistance, which essentially means that Disney is relying on government money to make up for what they aren’t willing to pay to employees (and the families that rely on them).

arstotzka:

"stop being a mindless slave and quit your boring job and go do what you really want, using the money you obviously have, because I don’t understand class struggles or intersectionality"

8

claeswar:

Friends for dinner! The crudités are prepared, green and fresh. The good paper napkins are laid out. Everyone is talking about capitalism (although some people are talking about the psychology of aging, and some about the human use of human beings, and some about the politics of experience). “How…

thespacegoat:

nowthatsashocker:

thespacegoat:

this is my favorite photo of john green <333

this is Steve Buscemi on an episode of 30 Rock… not John Green

I don’t mean to embarrass you but you’re totally completely wrong

image

also, there is absolutely no show by the name “30 Rock” since it’s illegal for television shows in America to begin with numbers I can’t believe you didn’t know that lmao idiot

xxgeekpr0nxx:

If you see a mushroom cloud from an atomic bomb, you’re supposed to stick your arm out and hold your thumb over the cloud. If the cloud is larger than your thumb, you’re in the radiation zone and should evacuate. This is what Vault Boy is doing in the Fallout series.

“Ladies and gentlemen of the class of ‘97:

Wear sunscreen.

If I could offer you only one tip for the future, sunscreen
would be it. The long-term benefits of sunscreen have been
proved by scientists, whereas the rest of my advice has no
basis more reliable than my own meandering experience. I will
dispense this advice now.

Enjoy the power and beauty of your youth. Oh, never mind.
You will not understand the power and beauty of your youth
until they’ve faded. But trust me, in 20 years, you’ll look
back at photos of yourself and recall in a way you can’t grasp
now how much possibility lay before you and how fabulous you
really looked. You are not as fat as you imagine.

Don’t worry about the future. Or worry, but know that worrying
is as effective as trying to solve an algebra equation by chewing
bubble gum. The real troubles in your life are apt to be things
that never crossed your worried mind, the kind that blindside you
at 4 pm on some idle Tuesday.

Do one thing every day that scares you.

Sing.

Don’t be reckless with other people’s hearts. Don’t put up with
people who are reckless with yours.

Floss.

Don’t waste your time on jealousy. Sometimes you’re ahead,
sometimes you’re behind. The race is long and, in the end,
it’s only with yourself.

Remember compliments you receive. Forget the insults. If you
succeed in doing this, tell me how.

Keep your old love letters. Throw away your old bank statements.

Stretch.

Don’t feel guilty if you don’t know what you want to do with
your life. The most interesting people I know didn’t know at
22 what they wanted to do with their lives. Some of the most
interesting 40-year-olds I know still don’t.

Get plenty of calcium. Be kind to your knees. You’ll miss them
when they’re gone.

Maybe you’ll marry, maybe you won’t. Maybe you’ll have children,
maybe you won’t. Maybe you’ll divorce at 40, maybe you’ll dance
the funky chicken on your 75th wedding anniversary. Whatever you
do, don’t congratulate yourself too much, or berate yourself
either. Your choices are half chance. So are everybody else’s.

Enjoy your body. Use it every way you can. Don’t be afraid of
it or of what other people think of it. It’s the greatest
instrument you’ll ever own.

Dance, even if you have nowhere to do it but your living room.

Read the directions, even if you don’t follow them.

Do not read beauty magazines. They will only make you feel ugly.

Get to know your parents. You never know when they’ll be gone
for good. Be nice to your siblings. They’re your best link to
your past and the people most likely to stick with you in the
future.

Understand that friends come and go, but with a precious few
you should hold on. Work hard to bridge the gaps in geography
and lifestyle, because the older you get, the more you need
the people who knew you when you were young.

Live in New York City once, but leave before it makes you hard.
Live in Northern California once, but leave before it makes you
soft. Travel.

Accept certain inalienable truths: Prices will rise. Politicians
will philander. You, too, will get old. And when you do, you’ll
fantasize that when you were young, prices were reasonable,
politicians were noble, and children respected their elders.

Respect your elders.

Don’t expect anyone else to support you. Maybe you have a trust
fund. Maybe you’ll have a wealthy spouse. But you never know when
either one might run out.

Don’t mess too much with your hair or by the time you’re 40 it
will look 85.

Be careful whose advice you buy, but be patient with those who
supply it. Advice is a form of nostalgia. Dispensing it is a way
of fishing the past from the disposal, wiping it off, painting
over the ugly parts and recycling it for more than it’s worth.

But trust me on the sunscreen.”

Kurt Vonnegut  (via fawun)

(Source: chimagine)

It truly came from a slightly gimmicky and exciting place. I’d read about rains of frogs in the works of Charles Fort, who was a a turn-of-the-century writer who wrote mainly about odd phenomena. Michael Penn was the one who turned me on to Fort, and who, when I went to one of Michael’s shows in New York once, made reference on stage to “rains of frogs.” At that moment I just went, Wow! How cool and scary and fun to do would that be – and what does it mean?!

So I started writing it into the script. it wasn’t until after I got through with the writing that I began to discover what it might mean, which was this: You get to a point in your life, and shit is happening, and everything’s out of your control, and suddenly, a rain of frogs just makes sense. You’re staring at a doctor who’s telling you something is wrong, and while we know what it is, we have no way of fixing it. And you just go, so what you’re telling me, basically, is that it’s raining frogs from the sky.

I’m not someone who’s ever had a special fascination with UFOs or supernatural phenomena or anything, but I guess I just found myself at a point in my life where I was going through some shitty stuff and I was ready for some sort of weird religion experience, or as close as I could get to one.

So then I began to decipher things about frogs and history, things like this famous notion that, as far back as the Romans, people have been able to judge the health of a society by the health of its frogs. The health of a frog, the vibe of a frog, the texture of a frog, its looks, how much wetness is on it, everything. The frogs are a barometer for who we are as a people. We’re polluting ourselves, we’re killing ourselves, and the frogs are telling us so, because they’re all getting sick and deformed. And I didn’t even know it was in the Bible until Henry Gibson gave me a copy of the Bible, bookmarked to the appropriate frog passage.

Paul Thomas Anderson on the frog scene from Magnolia

There’s so much analysis of this scene, and I’ve always found these words from PTA to be very insightful. 

(via perpetualtoska)