A group portrait of female punk and new wave musicians in London, August 1980, L-R (back) Debbie Harry of Blondie, Viv Albertine of The Slits, Siouxsie Sioux of Siouxsie And The Banshees, (Front) Chrissie Hynde of The Pretenders, Poly Styrene of X-Ray Spex, and Pauline Black of The Selecter. (Photo by Michael Putland/Getty Images)

A group portrait of female punk and new wave musicians in London, August 1980, L-R (back) Debbie Harry of Blondie, Viv Albertine of The Slits, Siouxsie Sioux of Siouxsie And The Banshees, (Front) Chrissie Hynde of The Pretenders, Poly Styrene of X-Ray Spex, and Pauline Black of The Selecter. (Photo by Michael Putland/Getty Images)

(Source: fuckyeah80snewwave)

notsid:

Yo La Tengo and David Byrne Thank You For Sending Me an Angel

drockgod:

Please Donate and help Kid Mountain creep closer to you through Summer Tour ‘13! Anything helps! Here’s the link to donate: http://www.indiegogo.com/projects/kid-mountain-summer-tour-13/x/3184135

bartschaneman:

Custer State Park, Black Hills, South Dakota

I took these photographs on May 1, 2013. We were in a big truck, but they didn’t care. They crossed the highway right in front of us.

upgraders:

It’s weird that pirates would go from shore to shore looking for buried treasure when the real treasure was in the friendships they were making

newsweek:

Artists invited the inmates at Illinois’s Tamms supermax prison to request one image of anything in the world, real or imagined—and then they photographed it. Like this photograph of a prisoner’s aunt’s house. 

kurtbraunohler:

Today on The K Ohle! I Get Lost with musician Nick Thorburn (Unicorns, Islands). Take a listen to this podcast experiment and let me know what you think!  http://www.nerdist.com/2013/05/the-k-ohle-3-get-lost-with-nick-thorburn/

(The K Ohle is a multi-format podcast that changes every week!)

brianmichaelbendis:

Mister Wonderful by Daniel Clowes

(Source: xcyclopswasrightx)

fantagraphics:

Jordan Crane’s Keeping Two at What Things Do.

kateoplis:

A place belongs forever to whoever claims it hardest, remembers it most obsessively, wrenches it from itself, shapes it, renders it, loves it so radically that he remakes it in his own image.

Joan Didion